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Politics and the English Language
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Politics and the English Language : ウィキペディア英語版
Politics and the English Language

"Politics and the English Language" (1946) is an essay by George Orwell that criticises the "ugly and inaccurate" written English of his time and examines the connection between political orthodoxies and the debasement of language. It was first noted in Orwell's payment book of 11 December 1945;〔George_Orwell_bibliography〕 the first known publication was in the April 1946 issue of the journal ''Horizon''. The article had been intended for George Weidenfeld's ''Contact'' magazine but it was turned down – the magazine wanted reportage. ''Politics and the English Language'' was Orwell's last major article for ''Horizon''.〔I Belong to the Left'', p.431〕
The essay focuses on political language, which, according to Orwell, "is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind." Orwell believed that the language used was necessarily vague or meaningless because it was intended to hide the truth rather than express it. This unclear prose was a "contagion" which had spread to those who did not intend to hide the truth, and it concealed a writer's thoughts from himself and others. Orwell encourages concreteness and clarity instead of vagueness, and individuality over political conformity.
==Summary==

Orwell relates what he believes to be a close association between bad prose and oppressive ideology:
One of Orwell's major points is:
The insincerity of the writer perpetuates the decline of the language as people (particularly politicians, Orwell later notes) attempt to disguise their intentions behind euphemisms and convoluted phrasing.
Orwell says that this decline is self-perpetuating. It is easier, he argues, to think with poor English because the language is in decline. And as the language declines, "foolish" thoughts become even easier, reinforcing the original cause:
Orwell discusses "pretentious diction" and "meaningless words". "Pretentious diction" is used to make biases look impartial and scientific, while "meaningless words" are used to stop the reader from seeing the point of the statement. According to Orwell: "In certain kinds of writing, particularly in art criticism and literary criticism, it is normal to come across long passages which are almost completely lacking in meaning."

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